Takashi Hayase

The Holy Hayase Family – Part 1: Ten Red Flags

/ Konstantinos Tzoannopoulos / 2 Comments
Anime screen shot showing a brown-haired, middle-aged military officer looks to his right; he is wearing a white peaked cap; his uniform's jacket is black and has a high collar, while the shirt is white with a turtle neck and a zipper hidden under a teal accented stripe.
Admiral Takashi Hayase in Super Dimension Fortress Macross. © Studio Nue / Big West.

Takashi Hayase is Misa’s father. His wife and Misa’s mother is Sakiko Hayase. He’s a career officer of the United Nations Navy, who later becomes a member of the UN Forces’ High Command. In the TV series, he appears in five episodes (15 and 24–27). He also has an extensive presence in Misa Hayase: White Reminiscences and The Plundering Fleet. The only works in which he’s shown to interact with his daughter are the TV series and White Reminiscences. For decades, he’s been viewed by fandom as a very minor character, and this becomes apparent by the lack of discussions on what he does as an officer and a parent. This has led to his role in the formation of Misa’s personality being severely understated.

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The Holy Hayase Family – Introduction

/ Konstantinos Tzoannopoulos / 2 Comments
Manga drawing of a black-haired Japanese woman in a colorful kimono with a young, brown-haired girl sitting happily on her lap; on the right, the husband, a dark-haired man in anime-style naval uniform leans towards them, with his right hand on the woman's right shoulder.
The Hayase Family: Sakiko (the mother), Misa, and Takashi (the father). Drawing by Haruhiko Mikimoto. © Studio Nue / Big West.

Continuing from my review of the light novel Misa Hayase: White Reminiscences, I’m turning my attention to the Hayase family – Misa’s father, Takashi, and her mother, Sakiko. The starting point for this multi-part analysis is Matteo Watzky’s 2020 article “Gender roles in Gundam and Macross” (also archived here) on his blog Animétudes. In his article, Watzky argues that Macross tries to somehow “teach” its heroine, Misa Hayase, how to conform to a certain standard of femininity – soft, romantic, loving, mated to a man – in order to be validated as a person. My reading of Misa and her arc differs greatly from Watzky’s for a number of reasons, methodological and interpretive. The most important of these reasons is that no character, especially one as carefully constructed and as fundamental to the series as Misa, exists in a vacuum. Therefore, to understand her emotional restraint, her attachment issues, her adherence to her military duty, and her narrative arc, we must examine the family she grew up in.

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Βιβλιοκριτική – Misa Hayase: White Reminiscences

/ Konstantinos Tzoannopoulos / 1 Comment
The cover of the novel being reviewed here, “Misa Hayase: White Reminiscences”. The Japanese title, in kanji, reads “早瀬未沙 白い追憶”, romanized as Hayase Misa: Shiroi Tsuioku. On a green woven background, it features a watercolor painting that shows the protagonist, a long-haired light brown-haired teenage girl, wearing a Japanese school uniform and putting on her jacket.

Μέρος της «επιστροφής» μου στην όχι και τόσο διεξοδικά συζητημένη στη Δύση σειρά anime Super Dimension Fortress Macross (SDFM ή Macross χάριν συντομίας) αποτελεί η ενδελεχής εξέταση του συνοδευτικού υλικού της – προσαρμογές σε manga, μυθιστοριογραφήσεις (novelizations), δευτερεύουσες ιστορίες (side stories), «ελαφρά μυθιστορήματα» (light novels), ηχητικά δράματα (audio dramas), κ.ο.κ. Ακολουθώντας την πάγια πρακτική μου, θα εξετάζω αυτό το υλικό κριτικά, χωρίς την ωραιοποίηση που προκαλείται συχνά από τη νοσταλγία ή την τυφλή αφοσίωση που συχνά χαρακτηρίζει τους otaku. Επιπλέον, δεν θεωρώ «αλάθητους» τους δημιουργούς των αγαπημένων μας παραγωγών. Έτσι, αυτή την προσέγγιση θα την εφαρμόζω και σε ό,τι βλέπουμε στη μικρή ή στη μεγάλη οθόνη – είτε πρόκειται για την αρχική σειρά, είτε για την κινηματογραφική μεταφορά (Macross: Do You Remember Love? ή DYRL?), είτε για το OVA Flash Back 2012 (FB2012).

Σ’ αυτό το πρώτο βήμα του «προσκυνήματός» μου για το Macross, εξετάζω το μυθιστόρημα Misa Hayase: White Reminiscences [Hayase Misa: Shiroi Tsuioku 早瀬未沙 白い追憶], που ο Gubaba με πολύ κόπο και με μεγάλη γενναιοδωρία προς την κοινότητα μετέφρασε στα Αγγλικά για το δυτικό κοινό, δίνοντάς του έτσι επιτέλους ουσιώδη πρόσβαση σ’ αυτό το υλικό. Μπορείτε να διαβάσετε το μεταφρασμένο μυθιστόρημα εδώ (επίσης βρίσκεται αρχειοθετημένο εδώ). Το μυθιστόρημα είναι έκτος έκδοσης εδώ και πολλά χρόνια και, ως εκ τούτου, μπορεί κανείς να το βρει μόνο στη δευτερογενή αγορά. Φυσικά, δεν υπάρχει επίσημη μετάφρασή του στα Αγγλικά, στα Γαλλικά ή σε οποιαδήποτε δυτική γλώσσα.

Αυτού του είδους το συνοδευτικό υλικό θα το βαθμολογώ σε δυο κριτήρια: το πρώτο είναι η καλλιτεχνική (λογοτεχνική, μουσική, κ.λπ.) αξία του. Το δεύτερο είναι η τεκμηριωτική του αξία, δηλαδή πόσο καλά «δένει» με το υπάρχον υλικό και πόσο καλά λειτουργεί ως πηγή πληροφοριών για το γενικότερο πλαίσιο και το υπόβαθρο της πλοκής και των χαρακτήρων.

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Review – Misa Hayase: White Reminiscences

/ Konstantinos Tzoannopoulos / 3 Comments
The cover of the novel being reviewed here, “Misa Hayase: White Reminiscences”. The Japanese title, in kanji, reads “早瀬未沙 白い追憶”, romanized as Hayase Misa: Shiroi Tsuioku. On a green woven background, it features a watercolor painting that shows the protagonist, a long-haired light brown-haired teenage girl, wearing a Japanese school uniform and putting on her jacket.

Part of my revisit to the underanalyzed in Western anime discourse Super Dimension Fortress Macross (SDFM for brevity’s sake) series and the overall Macross franchise is a thorough examination of its ancillary material – manga adaptations, novelizations, side stories, light novels, audio dramas, etc. As is my typical practice, I will be treating this material critically and without the rose-tinted glasses of childhood nostalgia or fandom loyalty; it goes without question that I am not going to bother catering to the sensitivities of fans who may view the creative team as “infallible”. Of course, this also applies to the animated material and dialogues we see in the series, the theatrical adaptation (Macross: Do You Remember Love? or DYRL? for short), and the OVA Flash Back 2012 (FB2012 for short).

In this first installment of my Macross “pilgrimage”, I am reviewing the novel Misa Hayase: White Reminiscences [Hayase Misa: Shiroi Tsuioku 早瀬未沙 白い追憶], which Gubaba kindly and generously took the trouble to translate for the benefit of Western readers, whose access to it has always been limited. You can read Gubaba’s translation here (also archived here). As it has been out of print for a long time, it is only available on the secondary market, and has never had an official translation to English, French, or any other Western language.

To better serve the readers, I will be judging ancillary material like this on two criteria: their artistic value (in this case, literary) and their documentary value. It should be pretty obvious what I mean by “artistic value.” The documentary value, on the other hand, is how well the work at hand, be it a novel, a novelization, or an audio drama, works as a context source.

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